Thursday, November 28, 2013

Yellow

Drawn from life,
November 5.

Tombow marker and ink on 9" x 12" watercolor paper.

13 comments:

  1. Happy Thanksgiving. You're an endless delight.

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  2. Anthony is right - this is one glowing lady!
    It really shows the difference when you have color versus tonal.
    Do you have a favorite?

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  3. The golden gal is right. But glow aside, I love your contour drawing. Precise and on the mark. Excellent. Happy leftovers today.

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  4. I'm amazed (as I often am here) by the difference a color can make--and between this lit-up version of her compared to the last post's suggestion of years of hard work and maybe fatigue. Like Julie, I wonder if you have a preference.

    Also, about your comment at my place, I agree. There is an attitude in that first kinglet, isn't there. Maybe calm and confident, but not arrogant? Thoughtful? Quietly pleased?

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  5. Thanks, all.

    Julie, they are both favorites, for different reasons.

    One shows exaggerated form, dramatic and fun to create, the other shows a more realistic rendition, glammed up with color and judicious line.

    Banjo, it is interesting, because you are seeing a person drawn in different colors, whereas I am seeing different drawings of the same pose, which naturally evoke different responses.

    The portraits I am doing lately are not really portraits, that is, faithful reproductions of particular people, nor are the figures I am drawing actually reportage of the particular model's actual figure.

    So, you would not necessarily recognize my models, were you to meet them. I freely add or subtract years, exaggerate or minimize features, looking for rhythm and beauty and design for my piece of paper.

    And yes, about the little bird. A lot of it is posture.

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  6. must of been a long pose in order to get two drawings out of it

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  7. Yep. These are painting poses. Go on for five hours, sometimes ten or more.

    I just pop in, do my drawing and split.

    Sometimes I come back, later, and do another. Sometimes I stay and obsess over a pose, doing multiples of the same, without moving my position. Frequently, I just move to another spot, draw some more.

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  8. Interesting info to a Crayola guy. Thank you.

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  9. Thanks, K.

    Thanks to you, Banjo. Your comments make me think.

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  10. Thanks for sharing. It was a wonderful painting.

    www.imarksweb.org

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